U.S. Artist and Italian Jeweler Create Diamond-Accented Hairpins


Jenny Walton, an American artist and influencer, is creating heirlooms — or make that hairlooms.

In late September she plans to introduce the 4 limited-edition hairpins she designed with Gioielleria Pennisi, the primary items ever created by the family-owned vintage jewellery boutique within the Grand Lodge et de Milan.

Emanuele Ferreccio Pennisi, 46, who works within the boutique and is a grandson of the enterprise’s founder, stated that the household had been approached with tasks many occasions over time, however that Ms. Walton’s proposal “encapsulates magnificence.”

“Jenny’s concept to create a hairpin collectively was improbable; it’s such a classy accent,” he stated. “Many shops produce charms, objects that may be produced in mass and are comparatively straightforward to create, however hairpins are area of interest. And but in demand.

“The passage of time has restored their attract,” he added. “Youthful clients are more and more asking us for hair ornaments like tiaras and hairpins, particularly for weddings.”

When you dwell, work or move by way of Milan typically, you might have pressed your nostril to the home windows of this retailer, its décor of gilded cupboards lined in purple velvet unchanged since 1971, when Giovanni Pennisi, a diamond supplier and collector, opened the doorways. (He died in 1999.)

Pennisi’s roster of purchasers has included Miuccia Prada, the previous Gucci designer Alessandro Michele, Nicole Kidman, Kate Moss, and Rihanna and ASAP Rocky, all drawn by the one-of-a-kind baubles from the Nineteen Twenties by way of the Nineteen Seventies gathered from auctions and discreet household gross sales.

Gherardo Felloni, Roger Vivier’s inventive director and a collector of interval jewellery, stated on a name from Paris that he traveled the world however that Pennisi carried the most effective collection of vintage gems.

“My relationship with the household goes again over 20 years,” he stated. “The stylist Manuela Pavesi, who was additionally a collector, launched me, and my relationship with vintage jewellery began there, within the Pennisi retailer.”

But, till now, the household had by no means produced a chunk of jewellery.

On one heat afternoon in July, Ms. Walton, 33, was channeling Audrey Hepburn in a full white Prada skirt, demure high and bow-topped heels for a go to to Pennisi. She first met the household in 2014 — a few years after she graduated with a Bachelor of Superb Arts in Style Design from Parsons — whereas she was on her first journey to Milan and had determined she wished to see the place Mrs. Prada buys her gems.

In 2017, she went to the boutique to decide on her engagement ring, a turn-of-the-century toi et moi type. “Sadly, that didn’t pan out,” she stated, “however my friendship with the Pennisi household did.”

She moved to Milan in 2021, and final summer time purchased the earrings at Pennisi that she was carrying this explicit day: a pair of Victorian old-cut diamond pendants in yellow gold. Across the time of that buy, she had espresso with Mr. Pennisi within the close by Emporio Armani Caffè, they usually hatched the collaboration.

Earlier than the pandemic, whereas she was nonetheless dwelling in New York Metropolis, Ms. Walton had designed costume jewellery with Nineteen Fifties daisy motifs and bought them on-line. As soon as she was in Milan, she determined to “reconfigure her life, however nonetheless wished to do one thing with jewellery.”

In line with Ms. Walton, the No. 1 query posed by her Instagram followers — who quantity 366,000 — is the way to recreate her signature French twist hairstyle. It wasn’t all the time so. When she began out, photographed from all angles at runway exhibits, Ms. Walton observed her hair’s silhouette was on the sloppy aspect. Her messy bun didn’t reduce it. Nor did an elastic-band ponytail.

In 2016, throughout a go to to Florence, a kindly pharmacy assistant modified her life with a U-shape hairpin and an impromptu tutorial. Since then, her blond hair has been neatly tucked right into a twist.

She instructed some elevated variations of the pin to Mr. Pennisi, they usually took as their start line a pair of Cartier hairpins from the early 1900s within the household’s private jewellery assortment: elongated U shapes in tortoiseshell, topped with diamond-accented lacy platinum scrollwork.

“Such hair equipment had been in style within the late nineteenth century when ladies had lengthy difficult hairstyles,” stated Leo Criaco, a senior jewellery specialist at Christie’s in Milan.

However when brief hair turned in style within the early twentieth century, “many pins didn’t survive; bought to gem sellers or damaged up for his or her stones to create one thing new,” he stated. “People who have, are sometimes crafted from supplies like coral, ivory and tortoiseshell,” that are troublesome to export as a result of many nations ban or limit merchandise associated to endangered species.

Hair jewellery is “a really stylish concept,” stated Pamela Golbin, a former chief curator of style and textiles on the Musée des Arts Décoratifs in Paris, who famous that the French maximalist designer Christian Lacroix typically used such items within the late Eighties by way of the early 2000s. “We haven’t seen that territory used once more for fairly a very long time,” she stated, “and it’s a pity as a result of hair adornments have all the time been fairly beautiful.”

Ms. Walton and Mr. Pennisi started engaged on the hairpins in October 2022, deciding on 4 of her designs and deciding on a slender silhouette for the fundamental kind.

Figuring out the most effective materials proved troublesome. They wished a retro look, in order that they began with Bakelite, a tough plastic in style for every part from jewellery to dwelling home equipment within the Nineteen Twenties and ’30s, but it surely didn’t work effectively; then stone, which proved too heavy. Finally, they settled on acetate from a Milanese provider. All 4 designs can be supplied in three colorways: black, amber and an ocher that resembles risotto alla Milanese.

Gioielleria Pennisi’s in-house goldsmiths adorned the acetate pins, including 18-karat white gold and brilliant-cut diamonds from sellers in Lausanne, Switzerland, in totals starting from 0.7 to 0.2 of a carat, relying on the design.

One hairpin, known as Bassotto (Italian for dachshund), was impressed by Ms. Walton’s fascination with stylish Milanese women in addition to their wire-haired dachshunds, which prompted her in March to purchase certainly one of her personal, which she named Aurora.

Bassano and Duchessa, a design resembling the gate of an Italian palazzo, will retail for two,900 euros ($3,195), whereas Lilium, an openwork design that references Ms. Walton’s favourite flower, and Margherite, a daisy composition that may be a nod to her former American designs, can be €2,500. Ms. Walton’s compensation can be an undisclosed portion of every sale.

Throughout Ms. Walton’s go to in July, all three Pennisi males who work within the retailer had been available. Emanuel Pennisi was joined by his uncle, Guido Pennisi, 80, the founder’s son and now the enterprise’s president and co-owner, who supplied friends a spremuta (freshly squeezed orange juice) and opened a vitrine to indicate some jewellery to a German buyer.

And Guido’s son, Gabriele, 47, introduced out Madonna’s 2019 “Madame X” album to indicate friends the duvet picture of the pop star carrying a pair of Artwork Deco platinum and diamond earrings she bought on the store.

The lads patiently conversed in Italian with Ms. Walton, who continues to be studying the language. Then she determined to mannequin certainly one of her new hairpins and, as they seemed on, she mounted the Duchessa design into her chignon.

“The thought is to put on a pin shade suited to how a lot you want to spotlight the diamonds,” Emanuele Pennisi stated. “Black is apparent, whereas the ocher is extra delicate.”


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